"The mistake is to emphasize the 'sorrows' and portray Werther as someone sad and introverted. But in Massenet, he has a luminosity that you do not expect," says Francesco Meli. (Washington National Opera)
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"The mistake is to emphasize the 'sorrows' and portray Werther as someone sad and introverted. But in Massenet, he has a luminosity that you do not expect," says Francesco Meli. (Washington National Opera)
